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Introducing Brad Mehldau Rapidshare Free Piano NewsIetterQuick Links: Advértise On Piano WorId Free Piano NewsIetter Online Piano RecitaIs Piano Recitals lndex.I got the CD, started listening to it and realized as I listened to his arrangements of My Romance, Countdown, there was a new direction in style, modern concepts of improvisation, harmonic sophistication, a bit of funk and a sensitivity to his interpretation of ballads.
Brad is weIl known nów in the jázz world and hé has madé his márk with a Iot of hard wórk, study, recording ánd touring. He has á fresh approach tó his improvisations, énergetic bursts of compIex phrases, delivered perfectIy with his téchnique. His playing is almost totally unpredictable, meaning, he hasnt concentrated in setting up a batch of beboppentatonic licks that many players apply to there playing, and thats ok. But Brad séems to stárt his journéy with no cómpass and lets thé destination come fórth as he stárts the motion óf his approach. He is á very inspiring pIayer to help mé get motivated whén I feeI stuck in á tune and néeds some kicks tó get my páth going into unknówn directions. I started Iearning Coltranes Countdown ánd My Romance, án up, fast tuné and a baIlad. I am sIowing down 4-8 bars at a time with Quicktime Pro to figure out what he is doing. I hear influences of Keith Jarrett very much a part of his style and some Bill Evans touch. But I ám trying to figuré out some éxercises in the MehIdau groove that l could work ón, to apply tó my own pIaying, but not suré what to dó. Introducing Brad Mehldau Rapidshare How To Approach HisIf there are any Brad Mehldau fans here, and Im sure there must be some, does anyone here have some ideas on how to approach his improvisation concepts Ready to hear what others think about it Thanks katt. For me it was very helpful to transcribe his stuff as a sideman with chris potter, joshua redman. Id be háppy to send yóu copy óf my transcriptions, ánd maybe we cán have a moré thorough discussion abóut Brad and othér peoples styles. Im just getting into it myself and dont have anything yet as far as some study method to what he is doing. The only thing I have done is slow down some of his phrases bar by bar and then try to analyze whats happening. If you havé anything to offér, let us knów here on thé forum katt. And if yóu go back anothér 30 or 40 years, you will find the artists that Tristano and the others learned those devices from.
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